We prepared an exhibition entitled Domestic Mediterranean for the public beyond scientists. The target public were the visitors to the museums of Florence, namely the Natural History Museum where the exhibition was shown first. This public was composed by citizen, schools and numerous international tourists from Europe, Japan, south and north America. Therefore we decided to explain the panels both in Italian and English and to use images as much as possible.
The exhibition is composed of 16 plastic PVC panels of 2.2 X 1.2 m, which describe the project, its rationale and achievements using images, simple sentences, reminding and focusing key ideas and results. The exhibition was integrated by a photo-show and background music. It was presented in Florence (in Italian and English, November 2005 and January 2006). It was advertised at the MEDCORE international conference and with posters and brochure (result 38306) exposed at the different departments of the University of Florence, in schools, in regional and city offices, in the city daily paper La Nazione. In December 2005, a similar exhibition was prepared in Tunis by the APAL, adapted to the Tunisian environment and focused on littoral environments, which are the mandate of this governmental institution. The panels were written in French and Arabic. The panels written in Italian and English, have been sent to Malta (July 2006), where authorities will be officially invited. Adaptations to other countries will follow suit. The exhibition or the PDF files are available at request; compressed images of the panels are shown in the web site of MEDCORE.
The aim of the exhibition was to pass the message on to the public of laymen in a direct way. The Mediterranean is presented as an historical and cultural unit, coasts are described as a continuous line linking countries and people, with shared common issues and values worth of conservation. It is stressed that the natural and cultural heritage belong to people, women and children participating as actors in the conservation of such heritage. They know the important links to the environment, and we should learn from them how to manage it in a sustainable manner.
The exhibition is a thematic journey, and each panel is numbered to invite visitors to follow the route indicated; key words are focused and explained in each panel; images from different Mediterranean countries are mixed in the same panels, to stress the common heritage.
Contents and keywords of the panels: (1) Introduction (Domestic Mediterranean); (2) Names of the Mediterranean (in Hebrew, Persian, Latin, Arabic); (3) Sabir (the ancient trade language); (4) Projects (MECO, Mediterranean Coastal Ecosystems; MEDCORE, Mediterranean Coastal River Ecosystems; WADI, Water demand Integration); (5) Actors (science as a meeting point, our portraits, our institutions); (6) Places (the diversity of the project study sites from watershed to the sea, in Egypt, Morocco, Tunisia and Italy); (7) Activities (learn, plan, communicate, images from fieldwork); (8) Water (a seed for life, a resource to be managed and distributed); (9) Sand (a flow from the mountains to the beach and sea); (10) Beach (a link, a crossing point, a window to the sea, a sacred place, our traces on sand disappear); (11) Diversity (richness, variation, health); (12) Local knowledge (awareness, continuity, sustainability); (13) Cultural heritage (to understand places and people); (14) Environmental management (comparison, integration, sustainability); (15) Environmental education, Children (curiosity, play, attention); (16) Woman (house, subsistence agriculture, the use of the environment, knowledge from grandmothers to mothers to daughters). It is planned to make a booklet of the panels and a sponsor is searched for.