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Visual History of the Holocaust: Rethinking Curation in the Digital Age

Livrables

Second prototype of the VHH-MMSI front end

All administration user interfaces as well as responsive, web-based user interfaces for different engagement levels are implemented.

Second prototype of the VHH-MMSI back end

The back end of the VHH Media Management and Search Infrastructure is implemented; this includes all components: the media-management system, the search system and the analytics platform.

Entire VHH-MMSI completed

Integration of media analytics components with the VHH Media Management and Search Infrastructure is completed and the entire VHH-MMSI is finalised.

Report on digital curation of popular culture content

This outlines the concept for curating works collected in D2.3 in a multimodal way using recent technologies.

EU Commission Policy Brief

Based on the interim findings of the project, the Policy Brief will provide policy recommendations related to the call.

Metadata integration concept

Specification paper to ensure standardised and interoperable filmgraphic and archival metadata.

Advanced digitisation tool kit

A comprehensive and tested set of recommended digitisation standards which serves as a ‘tool kit’ for cultural institutions to undertake advanced digitisation of film records. Published and disseminated online.

Soft titles for Soviet footage

Following Englishlanguage translations of sound tracks titles are created linked to the proxy video files and indexed for text contents

Controlled vocabularies specification
Concept: VHH i-docs

Concept for i-docs that construct (filmic) pathways through the repository.

Definition of engagement levels, usage modes, and user types

This is a protocol to lay the groundwork for T3.2 to T3.5, including the limits and interconnections between engagement levels.

Mind map visualising multimodal curating

This paper maps out the concept and infrastructure for a “living archive”, communicating conceptual ideas to WP5.

EU Commission Policy Brief (final)

The final policy brief will revise previous recommendations and provide additional recommendations at the end of the project

Project design and identity handbook

The Project Design and Identity Handbook serves as a reference guide and background document for all participants of the project. It provides information on, and guidelines for the use of the project’s corporate identity and its visual elements. It furthermore indicates basic principles for the effective communication of the project.

Translation of selected Russian text documents
Ethics Guideline

Binding guide to ethical curation of Holocaust-related materials.

Framework for tool kits, best practice models and future network activities

Specification sheet on curatorial standards in defining engagement levels and cooperation between the engagement level teams.

Digitised collection of text documents related to footage and films

At least 75% of the texts indicated in the literature database, collected as pdf files processed with OCR.

Expert videos on popular culture content

Video interviews for Premium engagement level with at least 5 academic experts on different aspects of cultural reappropriations of the visual history of the Holocaust

Advanced digitisation of popular culture content

Selected segments of films and other visual media are digitised according to standards defined in 21

Database of films, artworks and other visual culture products

This collects visual works that re-used and re-dramatised the investigated filmic records after 1945.

Literature database

This collects bibliographic data on the scholarly literature dealing with the filmic records of the liberation of Nazi atrocity sites and the original films edited from them.

Publications

Filmography of the Genocide: Official and Ephemeral Film Documents on the Persecution and Extermination of the European Jews 1933-1945

Auteurs: Fabian Schmidt, Alexander Oliver Zöller
Publié dans: Research in Film and History, Numéro 4, 2022, ISSN 2627-5848
Éditeur: University of Bremen
DOI: 10.25969/mediarep/18245

Atrocity Film

Auteurs: Fabian Schmidt, Alexander Oliver Zöller
Publié dans: Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe,, Numéro no. 12, 2021, Page(s) 1-80, ISSN 2365-7758
Éditeur: xxx
DOI: 10.17892/app.2021.00012.223

Plädoyer für Rekonstruktionen der Stimmenvielfalt. Rezeptionsforschung als Kulturgeschichte (A plea for reconstructing the variety of voices. Reception studies as cultural history)

Auteurs: Ulrike Weckel
Publié dans: Geschichte und Gesellschaft – Zeitschrift für Historische Sozialwissenschaft, Numéro 45:1, 2019, Page(s) 120-150, ISSN 0340-613X
Éditeur: Vandenhoeck and Ruprecht
DOI: 10.13109/gege.2019.45.1.120

Silences éloquents. Pratique d'entretien en histoire du cinéma

Auteurs: Irina Tcherneva
Publié dans: Mémoires en jeu, Memories at stake, Numéro Silences éloquents. Pratique d'entretien en histoire du cinéma, 2021, Page(s) 114-119, ISSN 2497-2711
Éditeur: Editions Kimé

Das visuelle Narrativ des Fotoalbums „Umsiedlung der Juden aus Ungarn“. Ein kritischer Blick auf die „Täterperspektive“

Auteurs: Ulrike Koppermann
Publié dans: Zeitschrift für Geschichtswissenschaft, Numéro 67:6, 2019, ISSN 0044-2828
Éditeur: Deutscher Verlag der Wissenschaften

Liberated on Film: Images and Narratives of Camp Liberation in Historical Footage and Feature Films

Auteurs: Ulrike Weckel
Publié dans: Research in Film and History, Numéro Numéro 2: Research, Debates and Projects 2.0, 2019, ISSN 2627-5848
Éditeur: Universität Bremen

Challenging the Perpetrators’ Narrative: A Critical Reading of the Photo Album ‘Resettlement of the Jews from Hungary’

Auteurs: Ulrike Koppermann
Publié dans: Journal of Perpetrator Research, Numéro 2/2, 2019, Page(s) 101, ISSN 2514-7897
Éditeur: Journal of Perpetrator Studies 2.2 (2019), 101–129
DOI: 10.21039/jpr.2.2.38

Video Shot Analysis for Digital Curation and Preservation of Historical Films

Auteurs: Daniel Helm, Martin Kampel
Publié dans: EUROGRAPHICS Workshop on Graphics and Cultural Heritage (2019), 2019, ISSN 2312-6124
Éditeur: Eurographics Association
DOI: 10.2312/gch.20191344

The Auschwitz Tattoo in Visual Memory. Mapping Multilayered Relations of a Migrating Image

Auteurs: Tobias Ebbrecht-Hartmann, Noga Stiassny, Fabian Schmidt
Publié dans: Research in Film and History, 2022, ISSN 2627-5848
Éditeur: Universität Bremen
DOI: 10.25969/mediarep/19713

The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances

Auteurs: Fabian Schmidt
Publié dans: Historical Journal of Film, Radio and Television, Numéro 40/4, 2020, Page(s) 702-731, ISSN 0143-9685
Éditeur: Carfax Publishing Ltd.
DOI: 10.1080/01439685.2020.1730033

Créer “les documents qui accusent”. Documentaires sur les crimes de guerre en Lettonie soviétique, 1961-1971

Auteurs: Irina Tcherneva
Publié dans: Cahiers du monde russe, Numéro 61: 3-4, 2020, Page(s) 463-498, ISSN 1252-6576
Éditeur: Editions de I'Ecole des Hautes Etudes en Sciences Sociales
DOI: 10.4000/monderusse.12039

Digital visual history: historiographic curation using digital technologies

Auteurs: Tobias Ebbrecht-Hartmann; Noga Stiassny; Lital Henig
Publié dans: Rethinking History The Journal of Theory and Practice, Numéro 27:2, 2023, ISSN 1364-2529
Éditeur: Routledge
DOI: 10.1080/13642529.2023.2181534

Commemorating from a distance: the digital transformation of Holocaust memory in times of COVID-19

Auteurs: Tobias Ebbrecht-Hartmann
Publié dans: Media, Culture & Society, 2020, Page(s) 016344372098327, ISSN 0163-4437
Éditeur: SAGE Publications
DOI: 10.1177/0163443720983276

Frame Border Detection for Digitized Historical Footage

Auteurs: Daniel Helm , Bernhard Pointner, Martin Kampel
Publié dans: Proceedings of the Joint Austrian Computer Vision and Robotics Workshop 2020, 2020, Page(s) 114-115, ISBN 978-3-85125-752-6
Éditeur: xxx
DOI: 10.3217/978-3-85125-752-6-26

Graph-Based Shot Type Classification in Large Historical Film Archives

Auteurs: Daniel Helm, Florian Kleber, Martin Kampel
Publié dans: Proceedings of the 17th International Joint Conference on Computer Vision, Imaging and Computer Graphics Theory and Applications, 2022
Éditeur: SCITEPRESS - Science and Technology Publications
DOI: 10.5220/0010905800003124

HistShot: A Shot Type Dataset based on Historical Documentation during WWII

Auteurs: Daniel Helm, Florian Kleber, Martin Kampel
Publié dans: Proceedings of the 11th International Conference on Pattern Recognition Applications and Methods, 2022
Éditeur: SCITEPRESS - Science and Technology Publications
DOI: 10.5220/0010872500003122

Historian: A Large-Scale Historical Film Dataset with Cinematographic Annotation

Auteurs: Daniel Helm, Fabian Jogl, Martin Kampel
Publié dans: 2022 IEEE International Conference on Image Processing (ICIP), 2022, Page(s) 2087-2091
Éditeur: IEEE
DOI: 10.1109/icip46576.2022.9897300

Erweiterte Orte: Überlegungen zur virtuellen Transformation von Gedenkstätte

Auteurs: Tobias Ebbrecht-Hartmann
Publié dans: Medaon – Magazin für jüdisches Leben in Forschung und Bildung, Numéro vol. 15, no. 28, 2021, Page(s) 1-5, ISSN 1866-069X
Éditeur: xxx

Les documentaires de propagande soviétiques

Auteurs: Irina Tcherneva
Publié dans: Chemins de la Mémoire, 2022, ISSN 1150-7055
Éditeur: Secrétariat général pour l’administration du Ministère des Armées

Visual History of the Holocaust: Rethinking Curation at the Digital Age (Project Overview)

Auteurs: Noga Stiassny and Lital Henig
Publié dans: Slil - Online Journal for History, Film and Television, Numéro vol. 15, Winter 2022,, 2022, Page(s) 86-103
Éditeur: The Hebrew University of Jerusalem

Bildraum und Ausstellungsraum. Reenactment und Immersion?

Auteurs: Ulrike Koppermann
Publié dans: Visual History, 2020
Éditeur: xxx
DOI: 10.14765/zzf.dok-2121

The Archival In-Between

Auteurs: Evelyn Kreutzer, Noga Stiassny
Publié dans: Research in Film and History, Numéro 4, 2021
Éditeur: Universität Bremen

Introduction

Auteurs: Vanessa Voisin, Eric Le Bourhis, Irina Tcherneva,
Publié dans: Seeking Accountability for Nazi and War Crimes in East and Central Europe, 2022
Éditeur: Boydell & Brewer
DOI: 10.1017/9781800108028.001

Risks and Results of Citizens’ Commitments: The Kačerovski Case in Riga, 1958–1963

Auteurs: Eric Le Bourhis, Irina Tcherneva
Publié dans: Seeking Accountability for Nazi and War Crimes in East and Central Europe, 2022, ISBN 9781800108028
Éditeur: Boydell & Brewer
DOI: 10.1017/9781800108028.009

Overscan Detection in Digitized Analog Films by Precise Sprocket Hole Segmentation

Auteurs: Daniel Helm, Martin Kampel
Publié dans: Advances in Visual Computing - 15th International Symposium, ISVC 2020, San Diego, CA, USA, October 5–7, 2020, Proceedings, Part I, Numéro 12509, 2020, Page(s) 148-159, ISBN 978-3-030-64555-7
Éditeur: Springer International Publishing
DOI: 10.1007/978-3-030-64556-4_12

Shot Boundary Detection for Automatic Video Analysis of Historical Films

Auteurs: Daniel Helm, Martin Kampel
Publié dans: New Trends in Image Analysis and Processing – ICIAP 2019 - ICIAP International Workshops, BioFor, PatReCH, e-BADLE, DeepRetail, and Industrial Session, Trento, Italy, September 9–10, 2019, Revised Selected Papers, Numéro 11808, 2019, Page(s) 137-147, ISBN 978-3-030-30753-0
Éditeur: Springer International Publishing
DOI: 10.1007/978-3-030-30754-7_14

Seeking Accountability for Nazi and War Crimes in East and Central Europe

Auteurs: Eric Le Bourhis, Irina Tcherneva, Vanessa Voisin
Publié dans: Seeking Accountability for Nazi and War Crimes in East and Central Europe, 2022
Éditeur: Boydell & Brewer
DOI: 10.1017/9781800108028

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