Periodic Reporting for period 1 - MUSDEWAR (Music in Detention during the (Post) Civil-War Era in Greece (1947-1957))
Periodo di rendicontazione: 2017-12-01 al 2019-11-30
Given music’s transformation into a sonic weapon and its institutionalization in 'enhanced' interrogation techniques and captive environment, this project was timely and crucial. It provided a thorough case study that critically explored such uses and and their potential to damage subjectivity, an awareness still missing from the public sphere and, to a great extent, from music research. Despite music's long standing association with punishment and humiliation, musicology and ethnomusicology were historically founded on the notion, dating back to antiquity, of music as an enlightening and therapeutic artform. It is only in the last two decades that research concerning its damaging effects started to gradually surface. Biases about the ennobling and healing character of music have in fact initiated an opening for its instrumentalization as an ideal weapon of terror, making it difficult for survivors, the general public and even perpetrators to recognize its complicity in torture. Music’s elusive nature has also been reinforced by the fact that it leaves no visible marks on the body, making it hard to prosecute in courts of law. And yet research on post traumatic stress disorder shows that practices aiming to cause fear, anxiety and loss of control (like music) tend to have longer side-effects than 'physical torture', something corroborated by survivors. MUSDEWAR's empirical findings and theoretical analysis challenge and redefine perceptions about music's social function, contributing significantly to this emerging field, but also to political and legal debates concerning the criminalization of such practices.
List of main dissemination results
1.Three peer-reviewed chapters/articles and a book review (three forthcoming and one under review)
2. Monograph and co-edited volume (in progress)
3. 14 talks at international conferences and workshops, symposia, research meetings and seminars
4. Guest editor/article contributor of the newspaper column 'Spectrum of History', EFSYN: https://www.efsyn.gr/themata/fantasma-tis-istorias/137398_i-skoteini-opsi-tis-moysikis
5. Organization of the international conference/exhibition Soundscapes of Trauma: Music, Violence, Therapy (2019)
6. Academic committee member, International Conference The Greek Case in the Council of Europe (2019)
7. Podcast for Museo National Reina Sofia, Madrid: https://radio.museoreinasofia.es/en/papaeti
8. Interview for a BBC Radio 3 Sunday feature programme (available as a podcast): https://www.bbc.co.uk/programmes/m0008gly
9. Sound installation 'New Parthenon' (with Nektarios Pappas; 2019): https://soundscapesofdetention.com/2019/08/06/new-parthenon/
10. Wikipedia entry on music in detention (forthcoming)
11. CNN article on music and torture featuring the researcher's work among others: https://edition.cnn.com/2019/02/08/health/music-in-torture-intl/index.html
12. Article in national newspaper EFSYN, featuring her research, among others
13. Design and co-ordination of the donation of 24 guitars by Music Fund (Belgium) for guitar workshops with refugees in Greece in camps and at Syrian Greek Youth Forum and Musikarama, Athens
14. MSC Fellowship Scheme presentation on two occasions
15. Project webpage and Facebook page
16. Four (post)graduate seminars
17. Proposal for 2020 ERC Consolidator Grant
MUSDEWAR increased public awareness about the role of music in detention and the ways in which it has been used as a means of terror and humiliation in European history. Its results and its focus on short and long-term effects will contribute to current political and legal debates about the criminalization of such practices. This historical recovery was timely in light of mass asylum seeking and detention in EU countries, and the role of music in such contexts. Its findings, which were communicated to NGOs and human rights organizations, provide critical insights for developing better guidelines for detention practices and ethically sound music programmes in detention.