Sound and Materialism in the 19th Century

Operatic Fantasies in Early Nineteenth-Century Psychiatry

Autori: Carmel Raz
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 63-83, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.004

Automata, Physiology and Opera in the Nineteenth Century

Autori: Myles W. Jackson
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 269-286, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.013

The Oxford Handbook of Critical Concepts in Music Theory

Autori: David Trippett
Pubblicato in: Oxford Handbook of Critical Concepts in Music Theory, 2019, Pagina/e 401-440, ISBN 9780190454746
Editore: Oxford University Press
DOI: 10.1093/oxfordhb/9780190454746.013.24

Wagner, Hearing Loss and the Urban Soundscape of Late Nineteenth-Century Germany

Autori: James Deaville
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 155-172, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.008

Electronic Contingencies: Goeyvaerts' Sine Wave Music and the Ideal of Perfect Sound

Autori: Melle Jan Kromhout
Pubblicato in: Imperfections: Studies in Mistakes, Flaws and Failures, 2021
Editore: Bloomsbury

Human Sounds and the Obscenity of Information

Autori: David Trippett
Pubblicato in: Rethinking Music through Science and Technology Studies, 2021, ISBN 9780429268830
Editore: Routledge

Unsound Seeds

Autori: Alexander Rehding
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 303-334, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.015

Wagnerian Manipulation - Bayreuth and Nineteenth-Century Sciences of the Mind

Autori: James Kennaway
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 287-302, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.014

Science, Technology and Love in Late Eighteenth-Century Opera

Autori: Deirdre Loughridge
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 175-198, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.009

Pneumotypes - Jean de Reszke’s High Pianissimos and the Occult Sciences of Breathing

Autori: James Q. Davies
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 21-43, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.002

Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello

Autori: Céline Frigau Manning
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 84-106, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.005

Hearing in the Music of Hector Berlioz

Autori: Julia Kursell
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 109-133, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.006

Vocal Culture in the Age of Laryngoscopy

Autori: Benjamin Steege
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 44-62, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.003

Excelsior as Mass Ornament - The Reproduction of Gesture

Autori: Gavin Williams
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 251-268, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.012

Circuit Listening

Autori: Ellen Lockhart
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 227-248, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.011

Wagner’s Sublime Effects: Bells, Cannon and the Perception of Heavy Sound

Autori: David Trippett
Pubblicato in: Music and the Sonorous Sublime in European Culture, 1680–1880, 2020, Pagina/e 245-72
Editore: Cambridge University Press
DOI: 10.1017/9781108761253.011

Digital voices: Posthumanism and the generation of empathy

Autori: David Trippett
Pubblicato in: The Cambridge Companion to Music in Digital Culture, Numero 9, 2019, Pagina/e 227-248, ISBN 9781107161788
Editore: Cambridge University Press
DOI: 10.1017/9781316676639.023

From Distant Sounds to Aeolian Ears - Ernst Kapp’s Auditory Prosthesis

Autori: David Trippett
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 134-154, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.007

"""The fullest fountain of advancing civilization”: experiencing Anthony Trollope’s House of Commons, 1852-1882"

Autori: Edward Gillin
Pubblicato in: Experiencing Architecture in the Nineteenth Century: buildings and society in the modern age, 2018, ISBN 9781350045941
Editore: Bloombury
DOI: 10.17863/cam.70778

'I Hear a New World.' Moon Metaphors and Media Music.'

Autori: Melle Jan Kromhout
Pubblicato in: Articulating Media: Genealogy, Interface, Situation, 2021
Editore: Open Humanities Press

Refaçonner l’oreille, prendre en main la voix: le comédien et le phonographe

Autori: Melissa van Drie
Pubblicato in: Le comédien et l’objet technique, 2019
Editore: Éditions Deuxième Époque

Acts of listening through: towards a history of multiple ears

Autori: Melissa Van Drie
Pubblicato in: Une Généalogie des grandes oreilles, 2019
Editore: Paris Les Presses du Reel

Technological Phantoms of the Opéra

Autori: Benjamin Walton
Pubblicato in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Pagina/e 199-226, ISBN 9781316275863
Editore: Cambridge University Press
DOI: 10.1017/9781316275863.010

The Politics of Musical Standardization in Nineteenth-Century France and Britain

Autori: Edward Gillin, Fanny Gribenski
Pubblicato in: Past & Present, Numero 251/1, 2021, Pagina/e 153-187, ISSN 0031-2746
Editore: Oxford University Press
DOI: 10.1093/pastj/gtaa007

From Machine to Musical Instrument

Autori: Stephanie Probst
Pubblicato in: Journal of Musicology, Numero 38/3, 2021, Pagina/e 329-363, ISSN 0277-9269
Editore: Imperial Printing Co.
DOI: 10.1525/jm.2021.38.3.329

The Unmusical Ear: Georg Simon Ohm and the Mathematical Analysis of Sound

Autori: Melle Jan Kromhout
Pubblicato in: Isis, Numero 111/3, 2020, Pagina/e 471-492, ISSN 0021-1753
Editore: University of Chicago Press
DOI: 10.1086/710318

Seismology’s acoustic debt: Robert Mallet, Chladni’s figures, and the Victorian science of earthquakes

Autori: Edward J. Gillin
Pubblicato in: Sound Studies, Numero 6/1, 2020, Pagina/e 65-82, ISSN 2055-1940
Editore: Taylor & Francis
DOI: 10.1080/20551940.2019.1678313

An Uncrossable Rubicon: Liszt’s Sardanapalo Revisited

Autori: David Trippett
Pubblicato in: Journal of the Royal Musical Association, Numero 143/2, 2018, Pagina/e 361-432, ISSN 0269-0403
Editore: Oxford University Press
DOI: 10.1080/02690403.2018.1507120

Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation

Autori: David Trippett
Pubblicato in: The Musical Quarterly, Numero 100/2, 2017, Pagina/e 199-261, ISSN 0027-4631
Editore: G. Schirmer
DOI: 10.1093/musqtl/gdy001

Science on the Niger: Ventilation and Tropical Disease during the 1841 Niger Expedition

Autori: Edward J Gillin
Pubblicato in: Social History of Medicine, 2017, ISSN 0951-631X
Editore: Oxford University Press
DOI: 10.1093/shm/hkx073

The Parliament that Science Built: Credibility, Architecture, and Britain’s Palace of Westminster

Autori: Edward J. Gillin
Pubblicato in: Endeavour, 2018, ISSN 0160-9327
Editore: Elsevier BV
DOI: 10.1016/j.endeavour.2018.07.005

The stethoscope goes digital: Learning through attention, distraction and distortion

Autori: Melissa Van Drie, Anna Harris
Pubblicato in: Gesnerus, Numero 77/1, 2020, Pagina/e 123-148, ISSN 0016-9161
Editore: Schwabe and Co. AG
DOI: 10.24894/gesn-en.2020.77005

Exercising Musical Minds: Phrenology and Music Pedagogy in London circa 1830

Autori: D. Trippett
Pubblicato in: 19th-Century Music, Numero 39/2, 2015, Pagina/e 99-124, ISSN 0148-2076
Editore: University of California Press
DOI: 10.1525/ncm.2015.39.2.99

Mechanics and mathematicians: George Biddell Airy and the social tensions in constructing time at Parliament, 1845–1860

Autori: Edward J. Gillin
Pubblicato in: History of Science, 2019, Pagina/e 007327531987927, ISSN 0073-2753
Editore: Science History Publications Ltd.
DOI: 10.1177/0073275319879279

Introduction: Ideas and Matter

Autori: David Trippett
Pubblicato in: 19th-Century Music, Numero 43/2, 2019, Pagina/e 63-66, ISSN 0148-2076
Editore: University of California Press
DOI: 10.1525/ncm.2019.43.2.63

Sound as Hermeneutic, or Helmholtz and the Quest for Objective Perception

Autori: David Trippett
Pubblicato in: 19th-Century Music, Numero 43/2, 2019, Pagina/e 99-120, ISSN 0148-2076
Editore: University of California Press
DOI: 10.1525/ncm.2019.43.2.99

“428 Millions of Quadrilles for 5s. 6d.”: John Clinton's Combinatorial Music Machine

Autori: Nikita Braguinski
Pubblicato in: 19th-Century Music, Numero 43/2, 2019, Pagina/e 86-98, ISSN 0148-2076
Editore: University of California Press
DOI: 10.1525/ncm.2019.43.2.86

Tremoring transits: railways, the Royal Observatory and the capitalist challenge to Victorian astronomical science

Autori: EDWARD J. GILLIN
Pubblicato in: The British Journal for the History of Science, 2019, Pagina/e 1-24, ISSN 0007-0874
Editore: Cambridge University Press
DOI: 10.1017/s0007087419000529

From Tone to Tune—Carl Stumpf and the Violin

Autori: Julia Kursell
Pubblicato in: 19th-Century Music, Numero 43/2, 2019, Pagina/e 121-139, ISSN 0148-2076
Editore: University of California Press
DOI: 10.1525/ncm.2019.43.2.121

Music, Melancholia, and Mania: Gaetano Brunetti's Obsessional Symphony

Autori: Peter Pesic
Pubblicato in: 19th-Century Music, Numero 43/2, 2019, Pagina/e 67-85, ISSN 0148-2076
Editore: University of California Press
DOI: 10.1525/ncm.2019.43.2.67

Hearing pastness and presence: the myth of perfect fidelity and the temporality of recorded sound

Autori: Melle Jan Kromhout
Pubblicato in: Sound Studies, Numero 6/1, 2020, Pagina/e 29-44, ISSN 2055-1940
Editore: T and F
DOI: 10.1080/20551940.2020.1713524

“Music Appreciation Through Animation: Percy Scholes's ‘AudioGraphic’ Piano Rolls”

Autori: Stephanie Probst
Pubblicato in: Society for Music Theory: Videocast Journal, 2021, ISSN 2689-5471
Editore: Society for Music Theory
DOI: 10.30535/smtv.7.1

Pen, Paper, Steel

Autori: Stephanie Probst
Pubblicato in: Music Theory Online, Numero 26/4, 2020, ISSN 1067-3040
Editore: Society for Music Theory
DOI: 10.30535/mto.26.4.6

Sound Authorities: Scientific and Musical Knowledge in Nineteenth-Century Britain

Autori: Edward Gillin
Pubblicato in: 2021, ISBN 9780226787770
Editore: Chicago University Press
DOI: 10.17863/cam.77772

The Victorian Palace of Science - Scientific Knowledge and the Building of the Houses of Parliament

Autori: Edward J. Gillin
Pubblicato in: 2017, ISBN 9781-108303873
Editore: Cambridge University Press
DOI: 10.1017/9781108303873

Nineteenth-Century Opera and the Scientific Imagination

Autori: David Trippet and Benjamin Walton
Pubblicato in: 2019, Pagina/e 134-54, ISBN 9781316275863
Editore: Camnbridge University Press
DOI: 10.1017/9781316275863

Noise Resonance: Technological Sound Reproduction and the Logic of Filtering

Autori: Melle Kromhout
Pubblicato in: Numero Non-periodic, 2017, Pagina/e 1-276, ISBN 978-94-028-0524-6
Editore: Ipskamp Printing / Academisch Proefschrift

Acoustics of Empire: Sound Media, and Power in the Long Nineteenth Century

Autori: Peter McMurray, Priyasha Mukhopadhyay (eds)
Pubblicato in: 2022, ISBN 9780197553794
Editore: Oxford University Press

The Logic of Filtering. How Noise Shapes the Sound of Recorded Music

Autori: Melle Jan Kromhout
Pubblicato in: 2021
Editore: Oxford University Press

Sardanapalo, Act 1

Autori: Franz Liszt, David Trippett
Pubblicato in: New Liszt Edition, Series IX (Vocal works with orchestra or with several instruments) Vol.2., 2020, ISBN 9790080200179
Editore: Editio Musica Budapest (New Liszt Edition, Series IX)

Sardanapalo: Opera fragment in one act (performance edition)

Autori: Franz Liszt, David Trippett
Pubblicato in: 2020
Editore: Schott

Towards a Materialist History of Music: Histories of Sensation

Autori: David Trippett
Pubblicato in: Franklin Institute of Humanities, Duke University, Numero Non-periodic, 2017, Pagina/e Online, no pages. 7,000wds
Editore: Duke University

The Voyager metaphor: 40 years on

Autori: David Trippett
Pubblicato in: Sound Studies, Numero 4/1, 2018, Pagina/e 96-99, ISSN 2055-1940
Editore: Taylor & Francis Group
DOI: 10.1080/20551940.2018.1505016

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