Sound and Materialism in the 19th Century

Operatic Fantasies in Early Nineteenth-Century Psychiatry

Author(s): Carmel Raz
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 63-83, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.004

Automata, Physiology and Opera in the Nineteenth Century

Author(s): Myles W. Jackson
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 269-286, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.013

The Oxford Handbook of Critical Concepts in Music Theory

Author(s): David Trippett
Published in: Oxford Handbook of Critical Concepts in Music Theory, 2019, Page(s) 401-440, ISBN 9780190454746
Publisher: Oxford University Press
DOI: 10.1093/oxfordhb/9780190454746.013.24

Wagner, Hearing Loss and the Urban Soundscape of Late Nineteenth-Century Germany

Author(s): James Deaville
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 155-172, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.008

Electronic Contingencies: Goeyvaerts' Sine Wave Music and the Ideal of Perfect Sound

Author(s): Melle Jan Kromhout
Published in: Imperfections: Studies in Mistakes, Flaws and Failures, 2021
Publisher: Bloomsbury

Human Sounds and the Obscenity of Information

Author(s): David Trippett
Published in: Rethinking Music through Science and Technology Studies, 2021, ISBN 9780429268830
Publisher: Routledge

Unsound Seeds

Author(s): Alexander Rehding
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 303-334, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.015

Wagnerian Manipulation - Bayreuth and Nineteenth-Century Sciences of the Mind

Author(s): James Kennaway
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 287-302, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.014

Science, Technology and Love in Late Eighteenth-Century Opera

Author(s): Deirdre Loughridge
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 175-198, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.009

Pneumotypes - Jean de Reszke’s High Pianissimos and the Occult Sciences of Breathing

Author(s): James Q. Davies
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 21-43, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.002

Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello

Author(s): Céline Frigau Manning
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 84-106, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.005

Hearing in the Music of Hector Berlioz

Author(s): Julia Kursell
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 109-133, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.006

Vocal Culture in the Age of Laryngoscopy

Author(s): Benjamin Steege
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 44-62, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.003

Excelsior as Mass Ornament - The Reproduction of Gesture

Author(s): Gavin Williams
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 251-268, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.012

Circuit Listening

Author(s): Ellen Lockhart
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 227-248, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.011

Wagner’s Sublime Effects: Bells, Cannon and the Perception of Heavy Sound

Author(s): David Trippett
Published in: Music and the Sonorous Sublime in European Culture, 1680–1880, 2020, Page(s) 245-72
Publisher: Cambridge University Press
DOI: 10.1017/9781108761253.011

Digital voices: Posthumanism and the generation of empathy

Author(s): David Trippett
Published in: The Cambridge Companion to Music in Digital Culture, Issue 9, 2019, Page(s) 227-248, ISBN 9781107161788
Publisher: Cambridge University Press
DOI: 10.1017/9781316676639.023

From Distant Sounds to Aeolian Ears - Ernst Kapp’s Auditory Prosthesis

Author(s): David Trippett
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 134-154, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.007

"""The fullest fountain of advancing civilization”: experiencing Anthony Trollope’s House of Commons, 1852-1882"

Author(s): Edward Gillin
Published in: Experiencing Architecture in the Nineteenth Century: buildings and society in the modern age, 2018, ISBN 9781350045941
Publisher: Bloombury
DOI: 10.17863/cam.70778

'I Hear a New World.' Moon Metaphors and Media Music.'

Author(s): Melle Jan Kromhout
Published in: Articulating Media: Genealogy, Interface, Situation, 2021
Publisher: Open Humanities Press

Refaçonner l’oreille, prendre en main la voix: le comédien et le phonographe

Author(s): Melissa van Drie
Published in: Le comédien et l’objet technique, 2019
Publisher: Éditions Deuxième Époque

Acts of listening through: towards a history of multiple ears

Author(s): Melissa Van Drie
Published in: Une Généalogie des grandes oreilles, 2019
Publisher: Paris Les Presses du Reel

Technological Phantoms of the Opéra

Author(s): Benjamin Walton
Published in: Nineteenth-Century Opera and the Scientific Imagination, 2019, Page(s) 199-226, ISBN 9781316275863
Publisher: Cambridge University Press
DOI: 10.1017/9781316275863.010

The Politics of Musical Standardization in Nineteenth-Century France and Britain

Author(s): Edward Gillin, Fanny Gribenski
Published in: Past & Present, Issue 251/1, 2021, Page(s) 153-187, ISSN 0031-2746
Publisher: Oxford University Press
DOI: 10.1093/pastj/gtaa007

From Machine to Musical Instrument

Author(s): Stephanie Probst
Published in: Journal of Musicology, Issue 38/3, 2021, Page(s) 329-363, ISSN 0277-9269
Publisher: Imperial Printing Co.
DOI: 10.1525/jm.2021.38.3.329

The Unmusical Ear: Georg Simon Ohm and the Mathematical Analysis of Sound

Author(s): Melle Jan Kromhout
Published in: Isis, Issue 111/3, 2020, Page(s) 471-492, ISSN 0021-1753
Publisher: University of Chicago Press
DOI: 10.1086/710318

Seismology’s acoustic debt: Robert Mallet, Chladni’s figures, and the Victorian science of earthquakes

Author(s): Edward J. Gillin
Published in: Sound Studies, Issue 6/1, 2020, Page(s) 65-82, ISSN 2055-1940
Publisher: Taylor & Francis
DOI: 10.1080/20551940.2019.1678313

An Uncrossable Rubicon: Liszt’s Sardanapalo Revisited

Author(s): David Trippett
Published in: Journal of the Royal Musical Association, Issue 143/2, 2018, Page(s) 361-432, ISSN 0269-0403
Publisher: Oxford University Press
DOI: 10.1080/02690403.2018.1507120

Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation

Author(s): David Trippett
Published in: The Musical Quarterly, Issue 100/2, 2017, Page(s) 199-261, ISSN 0027-4631
Publisher: G. Schirmer
DOI: 10.1093/musqtl/gdy001

Science on the Niger: Ventilation and Tropical Disease during the 1841 Niger Expedition

Author(s): Edward J Gillin
Published in: Social History of Medicine, 2017, ISSN 0951-631X
Publisher: Oxford University Press
DOI: 10.1093/shm/hkx073

The Parliament that Science Built: Credibility, Architecture, and Britain’s Palace of Westminster

Author(s): Edward J. Gillin
Published in: Endeavour, 2018, ISSN 0160-9327
Publisher: Elsevier BV
DOI: 10.1016/j.endeavour.2018.07.005

The stethoscope goes digital: Learning through attention, distraction and distortion

Author(s): Melissa Van Drie, Anna Harris
Published in: Gesnerus, Issue 77/1, 2020, Page(s) 123-148, ISSN 0016-9161
Publisher: Schwabe and Co. AG
DOI: 10.24894/gesn-en.2020.77005

Exercising Musical Minds: Phrenology and Music Pedagogy in London circa 1830

Author(s): D. Trippett
Published in: 19th-Century Music, Issue 39/2, 2015, Page(s) 99-124, ISSN 0148-2076
Publisher: University of California Press
DOI: 10.1525/ncm.2015.39.2.99

Mechanics and mathematicians: George Biddell Airy and the social tensions in constructing time at Parliament, 1845–1860

Author(s): Edward J. Gillin
Published in: History of Science, 2019, Page(s) 007327531987927, ISSN 0073-2753
Publisher: Science History Publications Ltd.
DOI: 10.1177/0073275319879279

Introduction: Ideas and Matter

Author(s): David Trippett
Published in: 19th-Century Music, Issue 43/2, 2019, Page(s) 63-66, ISSN 0148-2076
Publisher: University of California Press
DOI: 10.1525/ncm.2019.43.2.63

Sound as Hermeneutic, or Helmholtz and the Quest for Objective Perception

Author(s): David Trippett
Published in: 19th-Century Music, Issue 43/2, 2019, Page(s) 99-120, ISSN 0148-2076
Publisher: University of California Press
DOI: 10.1525/ncm.2019.43.2.99

“428 Millions of Quadrilles for 5s. 6d.”: John Clinton's Combinatorial Music Machine

Author(s): Nikita Braguinski
Published in: 19th-Century Music, Issue 43/2, 2019, Page(s) 86-98, ISSN 0148-2076
Publisher: University of California Press
DOI: 10.1525/ncm.2019.43.2.86

Tremoring transits: railways, the Royal Observatory and the capitalist challenge to Victorian astronomical science

Author(s): EDWARD J. GILLIN
Published in: The British Journal for the History of Science, 2019, Page(s) 1-24, ISSN 0007-0874
Publisher: Cambridge University Press
DOI: 10.1017/s0007087419000529

From Tone to Tune—Carl Stumpf and the Violin

Author(s): Julia Kursell
Published in: 19th-Century Music, Issue 43/2, 2019, Page(s) 121-139, ISSN 0148-2076
Publisher: University of California Press
DOI: 10.1525/ncm.2019.43.2.121

Music, Melancholia, and Mania: Gaetano Brunetti's Obsessional Symphony

Author(s): Peter Pesic
Published in: 19th-Century Music, Issue 43/2, 2019, Page(s) 67-85, ISSN 0148-2076
Publisher: University of California Press
DOI: 10.1525/ncm.2019.43.2.67

Hearing pastness and presence: the myth of perfect fidelity and the temporality of recorded sound

Author(s): Melle Jan Kromhout
Published in: Sound Studies, Issue 6/1, 2020, Page(s) 29-44, ISSN 2055-1940
Publisher: T and F
DOI: 10.1080/20551940.2020.1713524

“Music Appreciation Through Animation: Percy Scholes's ‘AudioGraphic’ Piano Rolls”

Author(s): Stephanie Probst
Published in: Society for Music Theory: Videocast Journal, 2021, ISSN 2689-5471
Publisher: Society for Music Theory
DOI: 10.30535/smtv.7.1

Pen, Paper, Steel

Author(s): Stephanie Probst
Published in: Music Theory Online, Issue 26/4, 2020, ISSN 1067-3040
Publisher: Society for Music Theory
DOI: 10.30535/mto.26.4.6

Sound Authorities: Scientific and Musical Knowledge in Nineteenth-Century Britain

Author(s): Edward Gillin
Published in: 2021, ISBN 9780226787770
Publisher: Chicago University Press
DOI: 10.17863/cam.77772

The Victorian Palace of Science - Scientific Knowledge and the Building of the Houses of Parliament

Author(s): Edward J. Gillin
Published in: 2017, ISBN 9781-108303873
Publisher: Cambridge University Press
DOI: 10.1017/9781108303873

Nineteenth-Century Opera and the Scientific Imagination

Author(s): David Trippet and Benjamin Walton
Published in: 2019, Page(s) 134-54, ISBN 9781316275863
Publisher: Camnbridge University Press
DOI: 10.1017/9781316275863

Noise Resonance: Technological Sound Reproduction and the Logic of Filtering

Author(s): Melle Kromhout
Published in: Issue Non-periodic, 2017, Page(s) 1-276, ISBN 978-94-028-0524-6
Publisher: Ipskamp Printing / Academisch Proefschrift

Acoustics of Empire: Sound Media, and Power in the Long Nineteenth Century

Author(s): Peter McMurray, Priyasha Mukhopadhyay (eds)
Published in: 2022, ISBN 9780197553794
Publisher: Oxford University Press

The Logic of Filtering. How Noise Shapes the Sound of Recorded Music

Author(s): Melle Jan Kromhout
Published in: 2021
Publisher: Oxford University Press

Sardanapalo, Act 1

Author(s): Franz Liszt, David Trippett
Published in: New Liszt Edition, Series IX (Vocal works with orchestra or with several instruments) Vol.2., 2020, ISBN 9790080200179
Publisher: Editio Musica Budapest (New Liszt Edition, Series IX)

Sardanapalo: Opera fragment in one act (performance edition)

Author(s): Franz Liszt, David Trippett
Published in: 2020
Publisher: Schott

Towards a Materialist History of Music: Histories of Sensation

Author(s): David Trippett
Published in: Franklin Institute of Humanities, Duke University, Issue Non-periodic, 2017, Page(s) Online, no pages. 7,000wds
Publisher: Duke University

The Voyager metaphor: 40 years on

Author(s): David Trippett
Published in: Sound Studies, Issue 4/1, 2018, Page(s) 96-99, ISSN 2055-1940
Publisher: Taylor & Francis Group
DOI: 10.1080/20551940.2018.1505016

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